Papers
The full papers from the conference:
- Louisa Allen 'PhD: Eliminating the Womb in Feminist Science Fiction’
- Chikwendu PK Anyanwu ‘Novel to Stage: Research and Scriptwriting’
- Sara Bailey 'If abundant instruction would make us into novelists, the people of England ought to be a nation of Fieldings'
- Laura Bottomley ‘The Art of the Deadline: Curse or Cure’
- Kathrina Haji Mohd Daud ‘Censorship, Critical Response and the Creative Writing Degree’
- Christian Defeo ‘A Doctorate’s Strange Love: Or, How I Stopped Worrying and Learned to Love the Phd’ Paper
- Alison Habens ‘The First Page Again’
- Ruth Hartle ‘”Myths of the Near Future": Contributing to a Truly Modern Mythology’
- Sonia Hendy-Isaac ‘The Reading-Writer or The Writing-Reader?’
- Craig Jordan-Baker 'All subjective innit?’ Creative Writing and the Politics of Subjectivity
- Dina Kafiris ‘A Novel in the Works’
- Vikram Kapur 'The Post 9/11 World Seen Through the Eyes Of a Brown Writer’
- David Manderson ‘Paradox: The Creative Crucible’
- Mike Martin ‘The completed PhD and its ironic postscript’
- Lesley McKenna ‘Writing the Wrong: The Liberating Effect of the Research Degree in Creative Writing’
- Jo Powell ‘The Body in the Library: Writing a Crime Novel for a PhD’
- Alexander Pheby ‘Out of the Garret and into the Tower: Why the Myth of Isolation is Bad for Writers’
- Shelly Ocsinberg ‘Silent Cries: Why Women Behave The Way They Do and How This Impacts Their Future’
- Nigel Robinson ‘Cant or Create? Why the PhD in Creative Writing is a Buridan's Ass'’
- Gavin Stewart 'PPhhDD: Why did I feel like I was doing two PhDs (or maybe none at all)'
